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Michael Jackson - The Essential (2CD) (Re-Rip)[EAC-FLAC][RePoPo]
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michael jackson lossless flac compilation greatest hits soul pop dance quincy jones rod temperton paul mccartney 70s 80s 90s 00s
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repopo Trusted
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7880F0B77E19D25EB7D4970DBEB6545E3300BC49




(Problems with magnets links are fixed by upgrading your torrent client!)
This release fixes some corruption found on the previous FLAC I shared. I'm sorry for those who spent time downloading it, and for the memory of MJ, which that fawlty release might have damaged in some way. Here's my apology in the shape of a new, corrected torrent. I hope you like it.

Long live the King.

*******************************************************************************
                     Michael Jackson - The Essential (2CD)
*******************************************************************************

CD: Michael Jackson - The Essential (CD 1)

01. I Want You Back    [0:02:58.57]
02. ABC    [0:02:57.10]
03. The Love You Save    [0:03:05.08]
04. Got To Be There    [0:03:25.02]
05. Rockin' Robin    [0:02:32.62]
06. Ben    [0:02:46.18]
07. Blame It On The Boogie    [0:03:30.40]
08. Shake Your Body (Down To The Ground)    [0:03:45.54]
09. Don't Stop 'Til You Get Enough    [0:03:56.35]
10. Off The Wall    [0:03:46.00]
11. Rock With You    [0:03:23.06]
12. She's Out Of My Life    [0:03:37.20]
13. Can You Feel It    [0:03:50.23]
14. The Girl Is Mine    [0:03:41.68]
15. Billie Jean    [0:04:52.72]
16. Beat It    [0:04:18.03]
17. Wanne Be Startin' Somethin'    [0:04:17.30]
18. Human Nature    [0:03:45.73]
19. P.Y.T. (Pretty Young Thing)    [0:03:58.55]
20. I Just Can't Stop Loving You    [0:04:11.66]
21. Thriller    [0:05:14.40]


CD: Michael Jackson - The essential (CD2)

01. Bad    [0:04:06.52]
02. The way you make me feel    [0:04:26.26]
03. Man in the mirror    [0:05:18.72]
04. Dirty Diana    [0:04:40.57]
05. Another part of me    [0:03:46.46]
06. Smooth criminal    [0:04:17.18]
07. Leave me alone    [0:04:39.66]
08. Black or white    [0:03:21.40]
09. Remember the time    [0:03:59.67]
10. In the closet    [0:04:48.61]
11. Who is it    [0:03:59.42]
12. Heal the world    [0:06:24.70]
13. Will you be there    [0:03:40.24]
14. You are not alone    [0:04:55.74]
15. Earth song    [0:05:02.08]
16. They don't care about us    [0:04:44.29]
17. You rock my world    [0:05:08.25]

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Album Review	by Rob Theakston

There are several Michael Jackson greatest-hits compilations out there, each one 
its own take on what should be the definitive portrait of the gloved one's 
career. The Ultimate Collection, The Essential Collection (different from the 
one here), and Number Ones have all surfaced in 2003 and 2004, and HIStory a few 
years prior. Each one of these collections, while commendable in its attempt to 
thoroughly document Jackson's accomplishments, has fallen woefully short in one 
aspect or another. This has finally been rectified with this installment of 
Sony's outstanding Essential collection. Starting with his campaign with his 
brothers in the Jackson 5, this two-disc set tours through every important 
single and every important fan favorite short of including his duet with Paul 
McCartney on "Say Say Say" (the Beatle does, however, make an appearance here on 
"The Girl Is Mine"). From Off the Wall to Dangerous, it's all here in one 
concise package, making it the ideal reference point from which exploration into 
his deeper catalog can begin. While die-hard fans will already have every single 
song contained herein and may be weary to purchase another greatest-hits 
compilation short of a greatest-hits compilation including his backing vocals on 
Rockwell's "Somebody's Watching Me," this may be the only one fans and casual 
listeners will ever have to purchase to get their fill of the King of Pop's 
magic.

-------------------------------------------------------------------------------

Biography	by Steve Huey

Michael Jackson was unquestionably the biggest pop star of the '80s, and 
certainly one of the most popular recording artists of all time. In his prime, 
Jackson was an unstoppable juggernaut, possessed of all the tools to dominate 
the charts seemingly at will: an instantly identifiable voice, eye-popping dance 
moves, stunning musical versatility, and loads of sheer star power. His 1982 
blockbuster Thriller became the biggest-selling album of all time (probably his 
best-known accomplishment), and he was the first black artist to find stardom on 
MTV, breaking down innumerable boundaries both for his race and for music video 
as an art form. Yet as Jackson's career began, very gradually, to descend from 
the dizzying heights of his peak years, most of the media's attention focused on 
his increasingly bizarre eccentricities; he was often depicted as an arrested 
man-child, completely sheltered from adult reality by a life spent in show 
business. The snickering turned to scandal in 1993, when Jackson was accused of 
molesting a 13-year-old boy; although he categorically denied the charges, his 
out-of-court settlement failed to restore his tarnished image. He never quite 
escaped the stigma of those allegations, and while he continued to sell records 
at superstar-like levels, he didn't release them with enough frequency (or, many 
critics thought, inspiration) to once again become better known for his music 
than his private life. Whether as a pop icon or a tabloid caricature, Jackson 
always remained bigger than life.

Michael Joseph Jackson was born August 29, 1958, in Gary, IN. The fifth son of 
steelworker Joe Jackson, Michael displayed a talent for music and dance from an 
extremely young age. His childhood was strictly regimented; from the start, he 
was to an extent sheltered from the outside world by his mother's Jehovah's 
Witness faith, and his father was by all accounts an often ill-tempered 
disciplinarian. Joe began to organize a family musical group around his three 
eldest sons in 1962, and Michael joined them the following year, quickly 
establishing himself as a dynamic stage performer. His dead-on mastery of James 
Brown's dance moves and soulful, mature-beyond-his-years vocals made him a 
natural focal point, especially given his incredibly young age. Dubbed the 
Jackson 5, the group signed to Motown in 1968 and issued their debut single in 
October 1969, when Michael was just 11 years old. "I Want You Back," "ABC," "The 
Love You Save," and "I'll Be There" all hit number one in 1970, making the 
Jackson 5 the first group in pop history to have their first four singles top 
the charts. Motown began priming Michael for a solo career in 1971, and his 
first single, "Got to Be There," was issued toward the end of the year; it hit 
the Top Five, as did the follow-up, a cover of Bobby Day's "Rockin' Robin." 
Later in 1972, Jackson had his first number one solo single, "Ben," the title 
song from a children's thriller about a young boy who befriends Ben, the highly 
intelligent leader of a gang of homicidal rats. Given the subject matter, the 
song was surprisingly sincere and sentimental, and even earned an Oscar 
nomination. However, the momentum of Jackson's solo career (much like that of 
the Jackson 5) soon stalled. He released his fourth and final album on Motown in 
1975, and the following year, he and his brothers (save Jermaine) signed to Epic 
and became the Jacksons.

In 1977, Jackson landed a starring role alongside Diana Ross in the all-black 
film musical The Wiz, a retelling of The Wizard of Oz; here he met 
producer/composer Quincy Jones for the first time. Encouraged by the success of 
the Jacksons' self-produced, mostly self-written 1978 album Destiny, Jackson 
elected to resume his solo career when his management contract with his father 
expired shortly thereafter. With Jones producing, Jackson recorded his first 
solo album as an adult, Off the Wall. An immaculately crafted set of funky 
disco-pop, smooth soul, and lush, sentimental pop ballads, Off the Wall made 
Jackson a star all over again. It produced four Top Ten singles, including the 
number one hits "Don't Stop 'til You Get Enough" and "Rock With You," and went 
platinum (it went on to sell over seven million copies); even so, Jackson 
remained loyal to his brothers and stayed with the group.

No group could have contained Jackson's rapidly rising star for long; however, 
there was still no sign (if there ever could be) that his next album would 
become the biggest in history. Released in 1982, the Quincy Jones-produced 
Thriller refined the strengths of Off the Wall; the dance and rock tracks were 
more driving, the pop tunes and ballads softer and more soulful, and all of it 
was recognizably Michael. Jackson brought in Paul McCartney for a duet, 
guitarist Eddie Van Halen for a jaw-dropping solo, and Vincent Price for a 
creepy recitation. It was no surprise that Thriller was a hit; what was a 
surprise was its staying power. Jackson's duet with McCartney, "The Girl Is 
Mine," was a natural single choice, and it peaked at number two; then "Billie 
Jean" and the Van Halen track "Beat It" both hit number one, for seven and three 
weeks respectively. Those latter two songs, as well as the future Top Five title 
track, had one important feature in common: Jackson supported them with 
elaborately conceived video clips that revolutionized the way music videos were 
made. Jackson treated them as song-length movies with structured narratives: 
"Billie Jean" set the song's tale of a paternity suit in a nightmarish dream 
world where Jackson was a solitary, sometimes invisible presence; the anti-gang
-violence "Beat It" became an homage to West Side Story; and the ten-minute-plus 
clip for "Thriller" (routinely selected as the best video of all time) featured 
Jackson leading a dance troupe of rotting zombies, with loads of horror-film 
makeup and effects. Having never really accepted black artists in the past, MTV 
played the clips to death, garnering massive publicity for Jackson and droves of 
viewers for the fledgling cable network. Jackson sealed his own phenomenon by 
debuting his signature "moonwalk" dance step on May 16, 1983, on Motown's 
televised 25th anniversary special; though he didn't invent the moonwalk (as he 
himself was quick to point out), it became as much of a Jackson signature as his 
vocal hiccups or single white-sequined glove.

Showing no signs of slowing down, Thriller just kept spinning off singles, 
including "Wanna Be Startin' Somethin'," the airy ballad "Human Nature," and 
"P.Y.T. (Pretty Young Thing)"; in all, seven of its nine tracks wound up in the 
Top Ten, obliterating conventional ideas of how many singles could be released 
from an album before it ran its course. Thriller stayed on the charts for over 
two years, spent 37 nonconsecutive weeks at number one, and became the best-
selling album of all time; it went on to sell 25 million copies in the U.S. 
alone, and around another 20 million overseas. Naturally, Jackson won a slew of 
awards, including a record eight Grammys in one night, and snagged the largest 
endorsement deal ever when he became a spokesman for Pepsi (he would later be 
burned in an accident while filming a commercial). At the end of 1983, Jackson 
was again on top of the singles charts, this time as part of a second duet with 
McCartney, "Say Say Say." In 1984, Jackson rejoined his brothers one last time 
for the album Victory, whose supporting tour was one of the biggest (and 
priciest) of the year. The following year, he and Lionel Richie co-wrote the 
anthemic "We Are the World" for the all-star famine-relief effort USA for 
Africa; it became one of the fastest-selling singles ever.

Even at this early stage, wild rumors about Jackson's private life were 
swirling. His shyness and reluctance to grant interviews (ironically, due in 
part to his concerns about being misrepresented) only encouraged more 
speculation. Some pointed to his soft-spoken, still girlish voice as evidence 
that he'd undergone hormone treatments to preserve the high, flexible range of 
his youth; stories were told about Jackson sleeping in a hyperbaric chamber to 
slow the aging process, and purchasing the skeleton of John Merrick, the 
Elephant Man (Jackson did view the bones in the London Hospital, but did not buy 
them). Jackson bought a large ranch in California which he dubbed Neverland, and 
filled it with amusement park rides and animals (including the notorious pet 
chimpanzee Bubbles), which only fueled the public's perception of him as a 
somewhat bizarre eccentric obsessed with recapturing his childhood. He also 
underwent cosmetic surgery several times, which led to accusations from the 
black community that his gradually lightening skin tone was the result of an 
intentional effort to become whiter; a few years later, Jackson revealed that he 
had a disorder called vitiligo, in which pigment disappears from the skin, 
leaving large white blotches and making direct sunlight dangerous. One of the 
rumors that was definitely true was that Jackson owned the rights to the 
Beatles' catalog; in 1985, he acquired ATV Publishing, the firm that controlled 
all the Lennon-McCartney copyrights (among others), which wound up costing him 
his friendship with McCartney.

During his long layoff between records, Jackson indulged his interest in film 
and video by working with George Lucas and Francis Ford Coppola on the 3-D short 
film Captain Eo. The special-effects extravaganza was shown at the enormous 
widescreen IMAX theaters in Disney's amusement parks for 12 years, beginning in 
1986. Finally, Jackson re-entered the studio with Quincy Jones to begin the 
near-impossible task of crafting a follow-up to Thriller. Bad was released to 
enormous public anticipation in 1987, and was accompanied by equally enormous 
publicity. It debuted at number one, and the first single, "I Just Can't Stop 
Loving You," with vocal accompaniment by Siedah Garrett, also shot up the charts 
to number one. Like Thriller, Bad continued to spin off singles for well over a 
year after its release, and became the first album ever to produce five number 
one hits; the others were "Bad," "The Way You Make Me Feel," "Man in the 
Mirror," and "Dirty Diana." Jackson supported the album with a lengthy world 
tour that featured a typically spectacular, elaborate stage show; it became the 
highest-grossing tour of all time. Although Jackson's success was still 
staggering, there were faint undercurrents of disappointment, partly because of 
the unparalleled phenomenon of Thriller (Bad "only" sold eight million copies), 
and partly because the album itself didn't seem quite as exuberant or uniformly 
consistent when compared to its predecessors.

Jackson took another long hiatus between albums, giving the media little to 
focus on besides his numerous eccentricities; by this time, the British tabloids 
delighted in calling him "Wacko Jacko," a name he detested. When Jackson 
returned in with a new album in late 1991, he'd come up with a different 
moniker: "the King of Pop." Dangerous found Jackson ending his collaboration 
with Quincy Jones in an effort to update his sound; accordingly, many of the 
tracks were helmed by the groundbreaking new jack swing producer Teddy Riley. As 
expected, the album debuted at number one, and its lead single, "Black or 
White," shot to the top as well. Jackson courted controversy with the song's 
video, however; after the song itself ended, there was a long dance sequence in 
which Jackson shouted, grabbed his crotch, and smashed car windows in a bizarre 
display that seemed at odds with the song's harmonious message. With the video 
given a high-profile, prime-time network premiere, Jackson was criticized for 
the inappropriate violence and the message it might send to his younger fans. 
However, Jackson would not be the biggest story in popular music for long. In 
early 1992, Nirvana's Nevermind symbolically knocked Dangerous out of the number 
one spot; after the alternative rock revolution, the pop charts would never be 
quite the same. Jackson scored several more hits off the album, including the 
Top Tens "Remember the Time" and "In the Closet," but the aggressive "Jam" and 
the saccharine "Heal the World" both performed disappointingly.

Jackson had long preferred the company of children over other adults, and 
befriended quite a few, inviting them to stay at his Neverland Ranch and enjoy 
the massive playground he'd assembled over the years. In 1993, Jackson was 
accused of molesting a 13-year-old boy who'd become a frequent guest at 
Neverland. Predictably, there was a tabloid feeding frenzy, and a mainstream 
media circus as well. In the court of public opinion, the charges seemed all too 
plausible: Jackson was near-universally perceived as a weirdo, and here was a 
handy explanation for his heretofore asexual persona and distaste for adult 
companions. Additionally, Jackson entered rehab for a short time, seeking 
treatment for an addiction to pain killers. Investigations were unsuccessful in 
turning up any other boys who echoed the allegations, and Jackson countersued 
his accusers for attempting extortion; however, in spite of the fact that no 
criminal charges were ever filed against Jackson, he settled the boy's family's 
suit out of court in early 1995, paying an estimated 18 to 20 million dollars. 
Many felt the settlement was tantamount to an admission of guilt, and when 
Jackson married Lisa Marie Presley in 1994, the move was perceived as a 
desperate ploy to rehabilitate his image; the marriage broke up just 19 months 
later, seemingly lending credence to the charge.

In 1995, Jackson attempted to put the focus back on his music by preparing 
HIStory: Past, Present and Future, Book 1, a two-CD set featuring one disc of 
new material and one of his greatest hits. The album debuted at number one, but 
the format backfired on Jackson: his fans already owned the hits, and the new 
album simply wasn't strong enough to offset the added cost of the extra disc for 
many more casual listeners. There were some encouraging signs -- the lead single 
"Scream," a duet with sister Janet, debuted at number five, setting a new 
American chart record that was broken when the follow-up, "You Are Not Alone," 
became the first single ever to enter the Billboard Hot 100 at number one. But 
on the whole, HIStory was something of a disappointment. Additionally, Jackson 
collapsed during rehearsals for an awards show later that year, and had to be 
rushed to the hospital; what was more, the Eagles' Their Greatest Hits (1971-
1975) was threatening to catch Thriller's American sales record (it eventually 
did, and the two continued to run neck and neck). There were signs that Jackson 
was grasping at his self-proclaimed King of Pop status; the cover of HIStory 
depicted an enormous statue of Jackson, and he performed at the 1996 BRIT Awards 
dressed as a Messiah, with children and a rabbi surrounding him worshipfully 
(Pulp lead singer Jarvis Cocker stormed the stage to protest Jackson's hubris 
during the middle of the song). The 1997 remix album Blood on the Dance Floor 
failed to even go platinum, although remix albums historically don't perform 
nearly as well as new material.

In late 1996, Jackson remarried, to nurse Debbie Rowe; over the next two years, 
the couple had two children, son Prince Michael Jackson, Jr. and daughter Paris 
Michael Katherine Jackson. However, Jackson and Rowe divorced in late 1999. In 
2001, Jackson was inducted into the Rock and Roll Hall of Fame, and later held a 
massive concert at Madison Square Garden celebrating the 30th anniversary of his 
first solo record. Among many other celebrity guests, the show featured the 
first on-stage reunion of the Jacksons since the Victory tour. In the wake of 
September 11, Jackson put together an all-star charity benefit single, "What 
More Can I Give." His new album, Invincible, was released late in the year, 
marking the first time he'd issued a collection of entirely new material since 
Dangerous; it found him working heavily with urban soul production wizard Rodney 
Jerkins. Invincible debuted at number one and quickly went double platinum; 
however, its initial singles, "You Rock My World" and "Butterflies," had rather 
disappointing showings on the charts, with the latter not even reaching the Top 
Ten. To compound matters, the expensive "What More Can I Give" single and video 
were canceled by Sony when executive producer Marc Schaffel was revealed to work 
in pornography. Jackson's camp tried to distance the singer from Schaffel, and 
the various corporations that were attached to it (McDonalds, Sony) claimed they 
had minimal involvement if any with the song. Sony and Jackson began a press war 
in the summer of 2002, starting with Jackson's claims that the label asked for 
200 million dollars to pay them back for marketing costs. Although they had 
spent 55 million on his disappointing comeback, Sony released a statement saying 
that no such request had ever been made. Jackson stewed for a few weeks before 
launching a press attack on Sony Music chairman Tommy Mottola, calling him 
"devilish" and making claims that he used racist language and held down black 
artists. Many Sony artists, including Mariah Carey and Ricky Martin, defended 
Mottola, but Jackson and his family maintained that racism ended their 
professional relationship.

From that point, Jackson's career took an extreme turn toward the bizarre, 
starting with MTV's annual Video Awards. When Britney Spears presented him with 
a birthday cake, an offhand remark about being the artist of the millennium 
inspired a rambling Jackson to accept a meaningless trophy (which everyone 
presenting on-stage received) as an actual Artist of the Millennium award. Next 
came accusations from a promotional company over his promises of a tour and 
several appearances that he then canceled. Jackson arrived in court late, gave a 
drowsy testimony, and inspired gasps when he removed a surgical mask to reveal 
his nose had caved in from a botched cosmetic surgery. Only days later, German 
fans were horrified when Jackson came to the balcony of his hotel suite and 
briefly dangled his 11-month old baby Prince Michael II (nicknamed "Blanket" by 
Jackson) over the edge with one arm. Although he apologized the next day, 
claiming he had gotten caught up in the moment, this only did more to cement the 
King of Pop's public image as an out-of-control millionaire. 2003 turned out to 
not be Jackson's year as in November his Neverland Ranch was extensively 
searched by police, whereby he was subsequently arrested on charges of child 
molestation. That same month the single disc retrospective Number Ones hit the 
stands with one new song, "One More Chance". A year later - nearly to the day - 
the four CD and one DVD box set The Ultimate Collection appeared with numerous 
rarities including the original demo for "We Are the World". In January 2005 his 
child molestation trial began and by May he was acquitted on all counts. Jackson 
soon relocated to the Persian Gulf island of Bahrain and began working on new 
music including a charity single that would benefit victims of Hurricane 
Katrina. The single never appeared but the two disc The Essential Michael 
Jackson did and in 2006 the strange box set Visionary was released featuring 20 
DualDiscs replicating 20 big hit singles with their videos included on the DVD 
side. In early 2007 it was announced that a comeback album was planned for late 
in the year. 

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                               EAC LOG EXTRACTS
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Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 11. July 2009, 21:35

Michael Jackson / The Essential (CD 1)

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Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 12. July 2009, 12:48

Michael Jackson / The essential (CD2)

Used drive  : HL-DT-STDVD-RAM GSA-H55N   Adapter: 0  ID: 0

Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No

Read offset correction                      : 102
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track

Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : F:Archivos de programaExact Audio 
CopyFLACFLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T 
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Track	[ CRC    ] Status
 01	[b7f12071] (15/74) Accurately ripped as in pressing(s) #3
 02	[20f50e62] (15/70) Accurately ripped as in pressing(s) #3
 03	[703c971d] (15/72) Accurately ripped as in pressing(s) #3
 04	[2b8fbb69] (15/74) Accurately ripped as in pressing(s) #3
 05	[44676f44] (15/73) Accurately ripped as in pressing(s) #3
 06	[d256cb6e] (15/76) Accurately ripped as in pressing(s) #3
 07	[9a7d0c1c] (15/72) Accurately ripped as in pressing(s) #3
 08	[4f4dbf48] (15/75) Accurately ripped as in pressing(s) #3
 09	[9053d624] (15/72) Accurately ripped as in pressing(s) #3
 10	[98a3b299] (14/72) Accurately ripped as in pressing(s) #3
 11	[ad5a006c] (14/72) Accurately ripped as in pressing(s) #3
 12	[fb4b6ee6] (14/73) Accurately ripped as in pressing(s) #3
 13	[8bc7c73a] (15/72) Accurately ripped as in pressing(s) #3
 14	[fc59f82b] (15/71) Accurately ripped as in pressing(s) #3
 15	[a76c6dff] (15/74) Accurately ripped as in pressing(s) #3
 16	[157ba3d2] (16/72) Accurately ripped as in pressing(s) #2
 17	[3ed31e5b] (14/69) Accurately ripped as in pressing(s) #3
Offsetted by -592:
 01	[7354f053] (16/74) Accurately ripped as in pressing(s) #2
 02	[c19cbac7] (16/70) Accurately ripped as in pressing(s) #2
 03	[c1953314] (16/72) Accurately ripped as in pressing(s) #2
 04	[cb4509e1] (16/74) Accurately ripped as in pressing(s) #2
 05	[7280884c] (16/73) Accurately ripped as in pressing(s) #2
 06	[716e580f] (16/76) Accurately ripped as in pressing(s) #2
 07	[f49e10aa] (16/72) Accurately ripped as in pressing(s) #2
 08	[0c93af2f] (16/75) Accurately ripped as in pressing(s) #2
 09	[13cc7233] (16/72) Accurately ripped as in pressing(s) #2
 10	[048ac124] (16/72) Accurately ripped as in pressing(s) #2
 11	[a5d007f5] (16/72) Accurately ripped as in pressing(s) #2
 12	[e8101c2f] (16/73) Accurately ripped as in pressing(s) #2
 13	[c477a6f0] (16/72) Accurately ripped as in pressing(s) #2
 14	[2e9d169b] (16/71) Accurately ripped as in pressing(s) #2
 15	[36f24465] (16/74) Accurately ripped as in pressing(s) #2
 16	[af3d7f82] (16/72) Accurately ripped as in pressing(s) #3
 17	[d98d25f3] (15/69) Accurately ripped as in pressing(s) #2
Offsetted by 36:
 01	[f015522e] (43/74) Accurately ripped as in pressing(s) #1
 02	[02babea5] (39/70) Accurately ripped as in pressing(s) #1
 03	[b29dfc08] (41/72) Accurately ripped as in pressing(s) #1
 04	[7ab52c91] (43/74) Accurately ripped as in pressing(s) #1
 05	[b4f6a8ca] (42/73) Accurately ripped as in pressing(s) #1
 06	[cd81ce50] (45/76) Accurately ripped as in pressing(s) #1
 07	[b54c00a4] (41/72) Accurately ripped as in pressing(s) #1
 08	[ba934dc5] (44/75) Accurately ripped as in pressing(s) #1
 09	[69952581] (41/72) Accurately ripped as in pressing(s) #1
 10	[a14a67ff] (42/72) Accurately ripped as in pressing(s) #1
 11	[8d3df050] (42/72) Accurately ripped as in pressing(s) #1
 12	[3e3ccd67] (41/73) Accurately ripped as in pressing(s) #1
 13	[a368ae26] (41/72) Accurately ripped as in pressing(s) #1
 14	[3ba64d23] (40/71) Accurately ripped as in pressing(s) #1
 15	[8ec2083a] (43/74) Accurately ripped as in pressing(s) #1
 16	[3db1b307] (40/72) Accurately ripped as in pressing(s) #1
 17	[1461d3ca] (40/69) Accurately ripped as in pressing(s) #1

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                      IMPORTANT: PLEASE READ (A REQUEST)
-------------------------------------------------------------------------------

It's usual to post comments only to complain about a torrent which doesn't work 
in your configuration.  It's normal, after a few hours/days downloading and 
expecting a release, to feel deceived if it doesn't work properly, and 
expressing this is legitimate.

I've often found one comment (negative) on a movie/CD downloaded by 2000+ 
people, and since that single negative feedback, people simply stop downloading 
and therefore, sharing.  But a few times it was due not to the torrent itself, 
but to some issues on the downloader side (not updated codecs, misused 
tools...), and that's unfair for the person who took the time to share it for
free.

IF YOU FIND THIS RELEASE DESERVES TO BE RECOMMENDED TO OTHERS, HELP BY DROPPING 
A LINE AFTER YOU'VE CHECKED IT.  This way, You'll help in keeping the torrent 
alive, almost as much as keeping it in your HDD until a 1:1 ratio is
reached.

Thanks

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File list not available.

Comments

Thank you so much for this torrent.
Rest in peace king.
Tequila-Bob - I don't see what sharing music has to do with Michael Jackson's personal life?
Great upload repopo, 10/10 thanks a million.
He paid 22 million to the families of the molested kids to have them drop the case.
The music from michael jackson was and still is superb! But im not one of these, when a person dies go saying how great he was , when we know he was very strange and slept with kids,,,,People go on about him being in the spotlight from an early age ,,,poor thing...WOW...what about others who have a much harsher upbringing...Great music & talented...i would listen to his songs...but as for the person...i didnt rate his persona!!!!
It was all a conspiracy. Michael Jackson didn't molest children...
thank you